What is the advantage of reading from three different perspectives in Cristina Garcia’s Dreaming in Cuban?
It breaks up the narrative and prevents the plot line from becoming bogged down in one particular place or time.
It allows the writer to experiment with a variety of different writing styles, as every speaker sounds distinctively different.
The different perspectives underscore the larger idea that immigrants or exiles must shed their native traditions.
It provides the reader with multiple perspectives on the Cuban Revolution and on the differences between life in Cuba and exile in the US.

In Dreaming in Cuban, the peruser is faced with altogether different characters, depicted in different points of view. Contrasted with Celia or Pilar's perplexing character advancements, Lourdes doesn't show up as a round character at the main sight. This is underscored as she regularly states sensible, highly contrasting decisions – particularly confronting her little girl, through her very own perspective. Be that as it may, Lourdes' relationship to her very own body gives the peruser another appreciation of her character. It helps the character improvement as much as the account amid Lourdes' sections. Her body experiences outrageous encounters through the novel that feature Lourdes' resolution, requirement for control and opportunity. Tree primary minutes helps this comprehension: Lourde's abuse, her instable libido and her eating disorder.