Roman painters of the Second style employed linear perspective to depict depth in works like Cubiculum M from the Villa of Publius Fannius Synistor.
Creating the illusion of depth on a flat surface using linear perspective. When employing this approach, all orthogonal parallel lines in a painting or drawing meet at a single vanishing point on the horizon.
The Italian Renaissance builder Filippo Brunelleschi is claimed to have developed linear perspective in 1415. The architect and writer Leon Battista Alberti later recorded this invention around 1435. (Della Pittura). In the ancient Greek and Roman eras, linear perspective was probably obvious to artists and architects.
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