Respuesta :
Many fugues feature a(n) Countersubject, a(n) distinct melodic concept that is continuously accompanied by the subject in one voice in the other voice.
A countersubject is, as the word implies, a melodic thought that contrasts with the difficulty of a fugue. It can be any melodic concept, whether or not it recurs.
The subcategory of fugue that is based mostly on a cantus firmus is remarkable. An such is the double fugue that uses widely spaced words from the chorale melody at the start of Bach's previously mentioned St. Matthew ardor voice.
A fugue begins to develop by describing its circumstance in one of the voices by themselves in the tonic key. A second voice comes after the challenge is announced and states the worry about the problem when it is transposed to a different key, usually the dominant or subdominant.
Any section that does not cover the complete circumstance is referred to as an episode. The first half of the fugue's motives and fragments are frequently used in sequences in episodes. countersubject Entries and episodes, a pairing of issue count number and cause development passages, may also alternate during the middle period of the fugue.
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