Consider the juxtaposition of reality and artificiality; costs to society and patrons to produce theatre; ability to draw interest from a wide range of classes and cultures; trends; and social purposes motivating the varying art forms.
Provide examples to support opinions; include Provide examples to support opinions; examples from your own experience. Might you have advice for Theatre producers
Hans Haferkamp and Neil J. Smelser Haferkamp is grateful to Angelika Schade for her fruitful comments and her helpful assistance in editing this volume and to Geoff Hunter for translating the first German version of parts of the Introduction; Smelser
