Mrs. Dalloway

by Virginia Woolf (excerpt)

There was nobody. Her words faded. So a rocket fades. Its sparks, having grazed their way into the night, surrender to it, dark descends, pours over the outlines of houses and towers; bleak hillsides soften and fall in. But though they are gone, the night is full of them; robbed of colour, blank of windows, they exist more ponderously, give out what the frank daylight fails to transmit—the trouble and suspense of things conglomerated there in the darkness; huddled together in the darkness; reft of the relief which dawn brings when, washing the walls white and grey, spotting each window-pane, lifting the mist from the fields, showing the red-brown cows peacefully grazing, all is once more decked out to the eye; exists again. I am alone; I am alone! she cried, by the fountain in Regent's Park (staring at the Indian and his cross), as perhaps at midnight, when all boundaries are lost, the country reverts to its ancient shape, as the Romans saw it, lying cloudy, when they landed, and the hills had no names and rivers wound they knew not where—such was her darkness; when suddenly, as if a shelf were shot forth and she stood on it, she said how she was his wife, married years ago in Milan, his wife, and would never, never tell that he was mad! In this passage, what is the night compared to?

A. Lucrezia's unheeded words
B. Lucrezia's plight as a married woman
C. the all-encompassing mist
D. Mrs. Dalloway

Respuesta :

"Lucrezia's plight as a married woman" is the one among the following choices given in the question that is what the night is compared to. The correct option among all the options that are given in the question is the second option or option "B". I hope that the answer has come to your great help.

The answer is B: Lucrezia's plight as a married woman.

Lucrezia is one of the most intriguing and sad characters, in what is already a sad tale, written by Virginia Woolf. After getting married, she is, by convention, forced to leave her home country, Italy, and move to England where she sees her husband wither away into madness. But although, alone and hopeless, her married life, just like the excerpt shows, does not go unnoticed, and like fireworks in the night, they shed light, momentarily but strongly, upon what otherwise would be nothing but darkness and solitude: the life of a married woman, victim of madness, though not her own.  


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