How do the plot and setting work together in act I? Specifically, how does the setting in each of the scenes complement the events? Use examples from at least two scenes in the play in your response.
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In Macbeth, Act 1, scene 1, three witches in the countryside appear, in the middle of thunder and lightning, showing an atmosphere of disorder, confusion, and fear. The witches say "fair is foul and foul is fair" which makes us think that all things that seem to be one way, are completely the opposite. The witches talk in riddles and seem dark, dangerous, sinister. They look as if they knew exactly what to say to make Macbeth feel unconfortable and confused.
In Act 1 scene 7, there is a soliloquy, in which Macbeth debates if he should kill Duncan or not, because he was in fact very loyal to his King, and to kill him while he is a guest in his house represents a serious betrayal. He also admits that his only reason to kill him will be ambition, and the moment he makes the decision to become a murderer, he is opening the gates of sin and darkness in his own life. He analyses the reasons to become such a traitor and his possible consequences and realizes that it is not worth it, so he is not going to kill Duncan. In this scene, the plot helps to demonstrate Macbeth loneliness, in the sense that he is taking alone in the dark even though there are many servants but do not interact with him and his thoughts.
Answer:
In Macbeth, Act 1, scene 1, three witches in the fully open appear, in the focal point of lightning storm, showing a situation of strife, confusion, and fear. The witches state "sensible is foul and foul is sensible" which causes us to envision that everything that have all the earmarks of being one way, are absolutely the reverse. The witches talk in problems and give off an impression of being faint, unsafe, terrible. They look like they knew unequivocally what to state to make Macbeth feel discomfort and perplexed.
In Act 1 scene 7, there is a talk, wherein Macbeth examines if he ought to execute Duncan or not, in light of the fact that he was in actuality dedicated to his King, and to kill him while he is a guest in his home addresses an authentic deceiving. He in like manner yields that his singular inspiration to butcher him will be want, and the subsequent he chooses the decision to transform into an executioner, he is opening the gateways of offense and lack of definition in his own life. He assessments the inspirations to end up being such a deceiver and his likely outcomes and comprehends that it isn't defended, regardless of any expected advantages, so he won't murder Duncan. In this scene, the plot helps with demonstrating Macbeth despondency, as in he is taking alone in indefinite quality in spite of the way that there are various specialists anyway don't interface with him and his contemplations.
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